The Eighth Eye: Prophetic Vision in Blake’s Poetry and Design, by Rachel V. Billigheimer

Apocalypse and Perception: Moving beyond Natural Perception

‘The Man Who Taught Blake Painting in his Dreams’ (c. 1825). This is a replica of one of Blake’s drawings of figures that appeared to him in visions. It has also been proposed that Blake’s image might be a ‘visionary self-portrait’, showing the artist himself at the moment of the inspiration. The strange form on the forehead may represent flames.

“Through the eighth Eye man is able to cast off the error of tradition and dogma and achieve individual inspiration”. Picture: ‘The Sun At His Eastern Gate’. Many people see the sun as a natural object in the sky, i.e., see it in terms of the dogmas of natural science, literality, and tradition, without the reality-based eight eye.

 

Prophetic Vision in Blake’s Poetry

In a previous study, Blake’s Eyes of God Cycles to Apocalypse and Redemption, the seven Eyes of God in Blake’s prophetic books were correlated with biblical and historical periods. Directed by the spirit of imagination, these cycles were seen as intrinsic to apocalypse. Here we examine the poetic inspiration of Blake’s eighth Eye and relate it to the prophetic vision in some of Blake’s designs.

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Evil and Urizen: William Blake’s Visions of a Demiurge, by Daniil Leiderman

The Nature of Perception and the Limitations of Your Reason

Is reason the root of all evil? That’s the core theme romantic era poet and artist, William Blake, tackles in his alternative-to-Genesis creation story, The Book of Urizen.

“a spiritual vision whose intensity is at the least a mystic’s, if not a prophet’s”

William Blake is justifiably considered to be among the greatest of England’s poets and artists. His place in the books of art history is assured despite his general disengagement from any definable movement, except perhaps romanticism, to which he belonged in spirit more than in form. Blake was professionally an engraver and acquired little acclaim for his work in his lifetime. To a degree this was due to Blake’s strange beliefs and obsessions – he at times claimed to see the dead, communicate with Biblical prophets and experience ecstatic visions. The Book of Urizen, Blake’s masterpiece – an epic poem originally created in seven copies using copperplate engravings, is of particular interest since it displays a unique artistic style, complex poetic form and most interestingly a spiritual vision whose intensity is at the least a mystic’s, if not a prophet’s.

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Eternity in an Hour: Blake in Time, by S. Foster Damon

Left Brain Time and Right Brain Space

Eternity is what always is, the reality underlying all temporal phenomena, the nunc stans of St. Thomas Aquinas. It is vulgarly supposed to be an endless prolongation of Time, to begin in the future; it is instead the annihilation of Time, which is limited to this temporal world; in short, Eternity is the real Now.

The problem of conceptualising eternity with the linear time (left hemisphere) program. We don’t enter Eternity – we enter Time; we’re already in Eternity

“Eternity Exists, and All Things in Eternity” (Vision of the Last Judgment). Whatever was, is, and shall be is there. “Every thing exists & not one sigh nor smile nor tear, one hair nor particle of dust, not one can pass away” (Jerusalem). Nothing real can have a literal beginning. Man “pre-existed” before his creation in Eden, which was only his materialising, an episode of his Fall.

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