“We’re teaching our kids not how to remember, but how to kill”
“The media in our modern information society have done much to perpetuate the myth of easy killing and have thereby become part of society’s unspoken conspiracy of deception that glorifies killing and war. There are exceptions … but for the most part we are given James Bond, Luke Skywalker, Rambo, and Indiana Jones blithely and remorselessly killing men by the hundreds.”
Introduction: Sex and Killing
Why should we study killing? One might just as readily ask, Why study sex? The two questions have much in common. Every society has a blind spot, an area into which it has great difficulty looking. Today that blind spot is killing. A century ago it was sex.
Sex is a natural and essential part of life. A society that has no sex has no society in one generation. Today our society has begun the slow, painful process of escaping from the pathological dichotomy of simultaneous sexual repression and obsession. But we may have begun our escape from one denial only to fall into a new and possibly even more dangerous one. A new repression, revolving around killing and death, precisely parallels the pattern established by the previous sexual repression.
Part of the reason for our lack of knowledge in this area is that combat is, like sex, laden with a baggage of expectations and myths. In the same way that we did not understand what was occurring in the bedroom, we have not understood what was occurring on the battlefield. Our ignorance of the destructive act matched that of the procreative act.
Consciousness and Revolution
The previous post reprinted Blake’s Europe a prophecy, written shortly after the French Revolution and depicting the political and psychological womb out of which it emerged. His illustrations and text are dense, poetic, and richly ambiguous. Here I unpack some of the main themes of the poem, which revolve around Blake’s critique of materialism, and explore the psychological subtext of the poem. As Paley notes, the function of the prophetic form for Blake was “to expose the otherwise hidden motives and consequences of human decisions”. Blake’s concept of ‘prophecy’ is therefore a form of political psychoanalysis, a powerful new way of going under the skin of contemporary events and accessing the deep psychological and sexual dynamics that lie behind both religious and political structures. This superimposition of different fields of reference (simultaneously political, sexual, religious, psychological) is one of the things that makes Blake’s works so striking and distinct, as well as so dense and multivalent. It is also a feature of his thinking that he has in common with modern psychoanalytic approaches. As Adam Phillips notes:
You can only understand anything that matters — dreams, neurotic symptoms, literature — by overinterpreting it; by seeing it from different aspects as the product of multiple impulses. Authority wants to replace the world with itself. Overinterpretation means not being stopped in your tracks by what you are most persuaded by; it means assuming that to believe one interpretation is to radically misunderstand the object one is interpreting, and indeed interpretation itself.
Blake located the source of contemporary struggle in a specific complex of psycho-social structures and dynamics, which we still see being played out and repeated in contemporary European politics. Until we learn to understand and recognise these processes, Blake believed, we will be doomed to repeat the same underlying cycle again and again: a world where revolution becomes simply endless re-cycling.