The Magic of William Blake, by Philip Pullman

Philip Pullman reflects on how Blake’s poetry has influenced and intoxicated him for more than 50 years

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Introduction: Unlocking the doors of perception

Sometimes we find a poet, or a painter, or a musician who functions like a key that unlocks a part of ourselves we never knew was there. The experience is not like learning to appreciate something that we once found difficult or rebarbative, as we might conscientiously try to appreciate the worth of The Faerie Queene and decide that yes, on balance, it is full of interesting and admirable things. It’s a more visceral, physical sensation than that, and it comes most powerfully when we’re young. Something awakes that was asleep, doors open that were closed, lights come on in all the windows of a palace inside us, the existence of which we never suspected.

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‘Come, You Giants!’: Review of Jez Butterworth’s ‘Jerusalem’, by Rod Tweedy

Albion’s Enslavement: Green and Pleasant Lands vs Chartered Streets 

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In April 2022, Jez Butterworth’s terrific, William Blake-inspired drama Jerusalem returns to London for a special, limited 16-week run. I was lucky enough to see it last night at the press review – red carpet, flashing cameras, which was also kind of fun to see, and a sign of the eagerness with which the revival of this play – often said to be the “greatest British play of the 21st century” – has been greeted.

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