The Forgiveness Field: Martin Buber, William Blake, and David Bohm, by Rod Tweedy

Quantum Therapy: How Forgiveness restores the relational field

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Forgiveness is the great yes” – Martin Buber

 

Forgiveness does not mean condoning what has been done. It means taking what happened seriously and not minimising it; drawing out the sting of the memory that threatens to poison our entire existence.” – Bishop Desmond Tutu

 

“The Spirit of Jesus is continual forgiveness” – William Blake

 

Always forgive your enemies; nothing annoys them so much” – Oscar Wilde

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Radical Forgiveness

3031353198_b5013103fe_oThe concept of forgiveness is often understood as operating within traditional ethical and philosophical contexts and frameworks involving issues of moral agency, moral standards, and moral virtue. But there’s another tradition of thinking which sees forgiveness as in a sense a transcendence of, or even a radical challenge to, normal or normative ‘moral’ thinking, with its emphasis (as Martha Nussbaum suggests) on the more ‘transactional’ or ‘performative’ aspects of ethical behaviour and decision-making – for example, calculating the pros and cons of forgiving someone, or weighing up the possible health benefits of forgiveness, which seem to imply and draw on a sort of moral ‘logic’ or ethical equation. 

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William Blake and the Spiritual Form of Tony Blair, by Rod Tweedy

The Rise and Fall of Urizen: Psychopathy and Rationality

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Introduction: The Triumph of the Left Hemisphere

In his startling conclusion to his illuminated prophecy Jerusalem: The Emanation of the Giant Albion, Blake depicts Urizen (“your Reason”) in his final, contemporary form: completely dissociated or divided: no longer the originally luminous and enlightening power within the human brain, that he had once been, but now a totally unempathic, ruthless, manipulative drive, obsessed only with power and control. Blake refers to this “debased” or “insane” and dysfunctional form of the former “Holy Reasoning Power” as the “Red Dragon”, “the Dragon Urizen”.

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Frozen Children: Devitalisation, Ice-olation, and Zero Degrees Princesses, by Rod Tweedy

Rod Tweedy explores the pathology of contemporary Disney

Frozen is now the second highest-grossing animated film of all time, and one of the highest-grossing films in any medium ($1.3 billion in worldwide box office sales). 676 million youngsters have viewed and sung along to the YouTube clip of it’s hit song Let It Go, and as Dorian Lynskey notes, “it’s shaped the imagination of a generation”. Beyond the sparkle and CGI patina something about the movie clearly resonates powerfully with children and young people, and I think it’s secret – and what lies at the heart of its appeal – is its potent exploration of themes of childhood anger, ‘ice-olation’, inner devitalisation and self-absorption, which the film both addresses and amplifies.

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