William Blake and the Spiritual Form of Tony Blair, by Rod Tweedy

The Rise and Fall of Urizen: Psychopathy and Rationality

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Introduction: The Triumph of the Left Hemisphere

In his startling conclusion to his illuminated prophecy Jerusalem: The Emanation of the Giant Albion, Blake depicts Urizen (“your Reason”) in his final, contemporary form: completely dissociated or divided: no longer the originally luminous and enlightening power within the human brain, that he had once been, but now a totally unempathic, ruthless, manipulative drive, obsessed only with power and control. Blake refers to this “debased” or “insane” and dysfunctional form of the former “Holy Reasoning Power” as the “Red Dragon”, “the Dragon Urizen”.

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The Golden Compasses: William Blake and Freemasonry

The Single Eye, the Dividers, and the Pyramid: Understanding the God of This World 

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Introduction

Blake has always attracted those who are interested in the esoteric, the occult, and the deeper or more spiritual systems of thought. In his own time (1757-1827), Freemasonry was one of the most prominent and progressive of these systems – its members included Goethe, Mozart, Voltaire, and many of the key architects of the American and French revolutions (Benjamin Franklin, George Washington; Lafayette, Marat, Danton, and Robespierre), which have therefore often been seen as essentially Masonic projects. 

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David Bowie: Alienation and Stardom, by Rod Tweedy

Schizophrenia, Spaceboys, and the Spiders from Mars

The death of David Bowie in 2016 revived both intense media interest in his work and astonishing creative legacy and also a plethora of unthinking and misleading cliches about who he was and what he signified. Foremost amongst these was the description of him as some kind of alien being, or “mysterious extraterrestrial”: “40 years ago, in millions of living rooms across the British isles,” one hagiographic BBC documentary started, “a strange alien creature was beamed onto our television screens”. Online and newspaper headlines were full of references to Starmen, Spaceboys, The Man who Fell to Earth – but there was very little attempt to explore or decode these references or to consider their psychological significance.

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