The Eighth Eye: Prophetic Vision in Blake’s Poetry and Design, by Rachel V. Billigheimer

Apocalypse and Perception: Moving beyond Natural Perception

‘The Man Who Taught Blake Painting in his Dreams’ (c. 1825). This is a replica of one of Blake’s drawings of figures that appeared to him in visions. It has also been proposed that Blake’s image might be a ‘visionary self-portrait’, showing the artist himself at the moment of the inspiration. The strange form on the forehead may represent flames.

“Through the eighth Eye man is able to cast off the error of tradition and dogma and achieve individual inspiration”. Picture: ‘The Sun At His Eastern Gate’. Many people see the sun as a natural object in the sky, i.e., see it in terms of the dogmas of natural science, literality, and tradition, without the reality-based eight eye.

 

Prophetic Vision in Blake’s Poetry

In a previous study, Blake’s Eyes of God Cycles to Apocalypse and Redemption, the seven Eyes of God in Blake’s prophetic books were correlated with biblical and historical periods. Directed by the spirit of imagination, these cycles were seen as intrinsic to apocalypse. Here we examine the poetic inspiration of Blake’s eighth Eye and relate it to the prophetic vision in some of Blake’s designs.

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Blake in New York: Power, Symbolism, and Luciferianism, by Vigilant Citizen

Symbols Rule the World, not Words or Laws

‘Wisdom’, Entrance to the Rockefeller Center, New York. Sculpture created by Lee Lawrie, after William Blake

New York is essentially a spiritual city, one of the most occult and esoteric cities on Earth. As David Ovason has suggested in The Secret Architecture of our Nation’s Capital, New York – like Washington DC (the main focus of his study) – is laid out according to a whole matrix of secret symbolism and occult geometry.

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