Becoming a Star: Philosophy, star-worship and the death of the Body
Shamanism and Ancient Egypt
In considering the relationships between Plato, shamanism and ancient Egypt, I am going to be questioning some deep-seated assumptions held both within Egyptology and in the history of ideas, which also extend to our current understanding of the western esoteric tradition. I believe these assumptions need to be questioned because the relationships of Plato, shamanism and ancient Egypt to each other are far more intimate and profound than one might at first suppose. By understanding the nature of these relationships, it may become possible to gain further insight not only into Platonism but also into that deep current of thought and spiritual practice known as the Hermetic tradition.
First of all, let me say that by ‘shamanism’ I mean a form of mysticism and mystical experience, typical of archaic spirituality. While of course shamanism may be approached as a sociological phenomenon of tribal societies, its specifically religious dimension is what concerns me here. Understood in this religious sense, not only is there a great deal in common between shamanism and ancient Egyptian religion, but a shamanic element could be said to be absolutely intrinsic to Egyptian religion.
The Evolution of Vision
BLAKE is only known to have attended a religious service three times in his life: he was baptized, in the year 1757, at the beautiful font of St. James’s, Piccadilly. He was married in Battersea Old Church; and at his own wish, his burial service (he died in 1827) was according to the rites of the Church of England. His admiration for such dissenters as John Wesley and William Law notwithstanding, he preferred the national Church to non-conformity; perhaps in part because of his love for those Gothic churches—and especially Westminster Abbey—in whose architecture he saw the true expression of the spirit, in contrast with Wren’s St. Paul’s, which he saw as a monument to Deism and human reason. His last great work was the splendid but incomplete series of illustrations to Dante; he admired St. Teresa of Avila, and the French Quietists, Fénélon and Mme Guyon, no less than the Protestant mystics, of whom two in particular—Jakob Boehme and Emmanuel Swedenborg—were his acknowledged masters.
Blake contrasted the “Living Form” of Gothic (infinite, organic) with the cold rationalism of Wren’s “monument to Deism”: round, rational, and religious
He declared himself a Christian without reservation: “I still and shall to Eternity Embrace Christianity and Adore him who is the Express image of God” he declared. He never had any period of doubt, early or late. But what kind of Christian was our great visionary and national prophet?