The alignment of meteoric imagery and political and spiritual events in Blake’s work
Introduction: Blake’s meteoric imagination
According to old Chinese belief, William Blake (1757– 1827) was cursed, since there is no question he lived in ‘interesting times’. Blake was a visionary English poet and artist. He was fascinated by apocalyptic biblical beliefs and prophecies, and worked elements of these even into artworks commissioned of him to illustrate the texts of other poets.
Raphael, ‘Astronomy’, from the Stanza della Segnatura (1509)
He studied widely in the literature and art of the past. His lifelong artistic heroes were Milton, Raphael and Michelangelo. As a result, his works are suffused with flowing forms and astronomical imagery, including meteors and comets.
The Difference between Mental Fight and Corporeal War
“War is Energy Enslaved” Blake once remarked – an observation that powerfully captures one of war’s most characteristic and toxic aspects: its ability to harness the astonishing productions of human society – our vast collective energies, intelligence, industries, and labour – and put them to profoundly destructive and degrading ends, to set humanity against itself. Blake’s observation equates war with slavery, with both mental and physical obedience and servitude – or “service” as it’s more frequently called today.
Blake witnessed first-hand the devastating impact of warfare: he lived for sixty-nine years (1757-1827) and for each one of those years, Britain was at war or in military conflict with one country or another – with India, with Portugal, with Hanover, Prussia, the Netherlands, Spain, the Dutch Republic, Austria, Germany, Ireland, America, France, Sweden, Sri Lanka, Nepal, Burma …