Vision and De-Vision: Sexuality, Slavery, and the Fall of Perception
Introduction to William Blake’s Visions of the Daughters of Albion
This essay examines how almost the entire critical discussion of Blake’s Visions of the Daughters of Albion enacts the exact dynamics (which we could anachronistically label ‘rape culture’) that the poem itself dramatises in order to dissect. I hope it can be of interest beyond Blake enthusiasts to anyone wanting to understand if being interested in ‘how we perceive’ affects our political and social ideas and positions, and to anyone interested in how dualistic ways of seeing (encompassing transcendence and materialism equally) abuse our bodies and the world.
Exploring the Impact of the Industrial Revolution on Blake’s Illustrations of Dante’s Inferno
Dark Satanic Mills … Images: (top) Blake’s illustration to Dante’s Inferno, Canto X; (middle): the burning of the Albion Flour Mill on Blackfriars Road, London in 1791. Interestingly, Blake lived very nearby at the time, and the east wind that night would have blown smoke towards his house in Lambeth. The Albion Mill was unpopular and ran several of the local wind-driven mills in Lambeth out of business; (bottom): Coalbrookdale by Night, by Philip James Loutherbourg (1801).
The City as Psyche
The geography of William Blake’s illuminated epic poem Jerusalem is organized around four principal cities: London, Babylon, Golgonooza, and Jerusalem. Three of the four are familiar enough, but the arcane city of Golgonooza is likely to seem, to an unsuspecting reader, as unapproachable as some legendary Forbidden City.
Psychogeography: Occult London and the City as Psyche
Milton, Blake and Moore are philosophical wanderers who share a tendency to connect history, spirituality, and place in their works through philosophers of the past. They journey horizontally through urban, rural, or spiritual locations and at the same time delve vertically through history. As this article will suggest, their legacy is a transformation of familiar landscapes.