The Social Hell of William Blake: Industrialisation and Dante’s Hell, by Myat Aung 

Exploring the Impact of the Industrial Revolution on Blake’s Illustrations of Dante’s Inferno 

Dark Satanic Mills … Images: (top) Blake’s illustration to Dante’s Inferno, Canto X; (middle): the burning of the Albion Flour Mill on Blackfriars Road, London in 1791. Interestingly, Blake lived very nearby at the time, and the east wind that night would have blown smoke towards his house in Lambeth. The Albion Mill was unpopular and ran several of the local wind-driven mills in Lambeth out of business; (bottom): Coalbrookdale by Night, by Philip James Loutherbourg (1801).

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Blake’s City of Golgonooza in Jerusalem: Metaphor and Mandala, by James Bogan

The City as Psyche

The geography of William Blake’s illuminated epic poem Jerusalem is organized around four principal cities: London, Babylon, Golgonooza, and Jerusalem. Three of the four are familiar enough, but the arcane city of Golgonooza is likely to seem, to an unsuspecting reader, as unapproachable as some legendary Forbidden City.

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From Hell: Alan Moore and William Blake, by E.M. Notenboom 

Psychogeography: Occult London and the City as Psyche

The Ghost of a Flea c.1819-20 William Blake 1757-1827 Bequeathed by W. Graham Robertson 1949 http://www.tate.org.uk/art/work/N05889

Milton, Blake and Moore are philosophical wanderers who share a tendency to connect history, spirituality, and place in their works through philosophers of the past. They journey horizontally through urban, rural, or spiritual locations and at the same time delve vertically through history. As this article will suggest, their legacy is a transformation of familiar landscapes.

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