The Gnostic Eve: William Blake and The Secret Doctrine, by H. P. Blavatsky

The Worship of the Serpent: The Awakening of Eve and the Generation of Nature

 

The Symbol of the Serpent: Introduction to Blavatsky’s work

Blake’s art speaks in symbols. But what exactly are symbols? And why are all of the deepest ancient esoteric truths always communicated through symbol and image?  Pike suggests that symbols are the most powerful way to mediate and convey a “truth” that lies beyond ordinary conscious, “rational” thought programmes and parameters: “The first learning in the world consisted chiefly in symbols. The wisdom of the Chaldæans, Phœnicians, Egyptians, Jews; of Zoroaster, Sanchoniathon, Pherecydes, Syrus, Pythagoras, Socrates, Plato, of all the ancients, that is come to our hand, is symbolic. It was the mode, says Serranus on Plato’s Symposium, of the Ancient Philosophers, to represent truth by certain symbols and hidden images.”  

And one of the most powerful, and recurrent, of all these ancient symbols, he notes, is that of the serpent or dragon. “This will be found to be confirmed by an examination of some of the Symbols used in the Mysteries. One of the most famous of these was THE SERPENT. The Cosmogony of the Hebrews and that of the Gnostics designated this reptile as the author of the fate of Souls. It was consecrated in the Mysteries of Bacchus and in those of Eleusis. Pluto overcame the virtue of Proserpine under the form of a serpent; and, like the Egyptian God Serapis, was always pictured seated on a serpent, or with that reptile entwined about him.”

Read More

Blake and Rumi, by Sardar Muhammad

A Comparative Study of Jalal-Ud-Din Rumi and William Blake as Mystical Poets

Detail from Rumi’s epic poem Mathnavi-e-Ma’navi or ‘Poem of Inner Meanings’

This article examines the concept of Mystical Union, one of the major themes of Islamic and Christian mystical poetry through juxtaposing the views of Jalal-ud-din Rumi and William Blake on it (Mystical Union).

The work is primarily focused on confirming the philosophical assertion that, “at the highest level of spiritual elevation (state of mystical union), dogmatic differences either cease to exist or become insignificant.” As a central theme of Islamic and Christian mystical poetry, the study of Mystical Union may help to understand both types of mysticism. The analysis of this theme may also encompass the interpretation of most of the constituting elements of mysticism (the stages of mystical path in Islamic and Christian mysticism).

The affinities between the views of Rumi and Blake on mystical union show that there has been an overwhelming agreement between Islamic and Christian mysticism, and that “at the highest level of spiritual elevation (state of mystical union), the differences based on dogmatism cease to exist or become insignificant”. The validity of this assertion has been confirmed through comparative study of Rumi and Blake on Mystical Union.

Read More