The Golden Compasses: William Blake and Freemasonry

The Single Eye, the Dividers, and the Pyramid: Understanding the God of This World 

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Introduction

Blake has always attracted those who are interested in the esoteric, the occult, and the deeper or more spiritual systems of thought. In his own time (1757-1827), Freemasonry was one of the most prominent and progressive of these systems – its members included Goethe, Mozart, Voltaire, and many of the key architects of the American and French revolutions (Benjamin Franklin, George Washington; Lafayette, Marat, Danton, and Robespierre), which have therefore often been seen as essentially Masonic projects. 

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William Blake on Self and Soul, by Laura Quinney

William Blake and the illusion of Selfhood

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Introduction: Blake the Radical Psychologist

It has always been clear that William Blake was both a political radical and a radical psychologist. The most illuminating interpretations of Blake— by Northrop Frye, Harold Bloom, Brian Wilkie, and Mary Lynn Johnson, to name a few— emphasize his subtlety and innovation in the understanding of human psychology.

This article addresses what Blake said about a specific aspect of psychology— a reflexive aspect, deeper and stranger in itself than thought and feeling— the subject’s experience of its own interiority. What is the self’s relation to itself?

Blake thought that under certain conditions, it was bound to be anxious and lonely. That is, he thought that if the self is identified with the main consciousness or “I,” especially the “I” as a center of rationality, it will feel solitary and insecure.

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The Rise of Eco-fascism: Nature, Nazis, and Green Ideology, by Janet Biehl and Peter Staudenmaier

Vala’s Reich: The Idealisation of Nature and the Denigration of Humanity

It may come as a surprise to learn that the history of ecological politics has not always been inherently and necessarily progressive and benign. In fact, ecological ideas have a history of being distorted and placed in the service of highly regressive ends — even of fascism itself. As this article shows, important tendencies in German “ecologism,” which has long roots in nineteenth-century nature mysticism, fed into the rise of Nazism in the twentieth century.

During the Third Reich, Nazi “ecologists” even made organic farming, vegetarianism, nature worship, and related themes into key elements not only in their ideology but in their governmental policies. Moreover, Nazi “ecological” ideology was used to justify the destruction of European Jewry. Yet some of the themes that Nazi ideologists articulated bear an uncomfortably close resemblance to themes familiar to ecologically concerned people today.

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Dynasties: A Review, by Rod Tweedy

How Late Capitalism Writes Itself Into Nature

‘David’, an ageing patriarch whose time at the top is nearly over and who is clearly anxious about challenges from his younger rivals and concerned with his legacy, narrates this compelling programme about ‘David’, an ageing patriarch whose time at the top is nearly over and who is clearly anxious about challenges from his younger rivals and concerned with his legacy.

The BBC’s new block-buster, Dynasties, can perhaps best be seen as an impressive and timely reflection of the unconscious concerns and obsessions of late capitalism – as Marx presciently observed, ‘The ideas of the ruling class are in every epoch the ruling ideas’ (e.g. ideas of power, dominance, hierarchy, survival as telos, become ‘naturalised’), and nowhere is this unconscious dynamic seen more clearly than in the dominant ideas of environmentalism.

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The End of Nature:  Blake and Pantheism, by Rod Tweedy

Babylon, Nature-worship, and the Sleep of Albion 

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‘Awake! awake O sleeper of the land of shadows, wake! expand!’

As Kathleen Raine has noted, “the sleep of Albion is in a word the materialist mentality of the modern West.” However, this “materialist mentality”, for Blake, denotes not only the belief in the Newtonian universe of orthodox Science, which many are now questioning, but also the belief in “Nature” itself. For Blake, the “Creation” – the emergence of an apparently objective, natural, and material world – and Albion’s fall into “Sleep” were one and the same event.

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