The Veil of Vala: Blake’s ‘Jerusalem’ and the Origins of Patriarchy, by Marc Kaplan

The Genitals as Private Property: Sexual Possessiveness and the roots of Jealousy, Monogamy and Patriarchy 

“Albion here is at the stage where patriarchy institutionalizes and encourages the worship of the mother-goddess; Babylon was such a civilization”

 

Jerusalem and the Origins of Patriarchy

“O Albion why wilt thou Create a Female Will?” Los wails in Jerusalem (30:31). The term “Female Will” here makes its first appearance in Blake’s poetry, though for years critics have used it retroactively to explicate prior works, because it ties together so many of the sinister actions of the women characters of the earlier poetry.

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William Blake and the Sexual Basis of Spiritual Vision, by Marsha Keith Schuchard

How to Enter the Kingdom of Heaven: William Blake and the Erotic Imagination

When I first Married you, I gave you all my whole Soul

I thought that you would love my loves & joy in my delights

Seeking for pleasures in my pleasures, O Daughter of Babylon

Then thou wast lovely, mild & gentle, now thou art terrible

In jealousy & unlovely in my sight, because thou hast cruelly

Cut off my loves in fury till I have no love left for thee.

Thy love depends on him thou lovest & on his dear loves

Depend thy pleasures which thou hast cut off by jealousy.

— Milton (1804-10), plate 33

In 1863 Alexander Gilchrist corrected the claim made by J.T. Smith, a friend of Blake, that the artist and “his beloved Kate” lived in “uninterrupted harmony”. Such harmony there really was; but it had not always been unruffled. There had been stormy times in years long past, when both were young; discord by no means trifling while it lasted. But with the cause (jealousy on her side, not wholly unprovoked), the strife had ceased also. Read More