The Death of God and the Construction of Nature
Introduction to Blake’s Stonehenge
Stukeley’s Stonehenge: A Temple Restor’d To The British Druids (1740), which made such a profound impression on Blake
The impact of William Stukeley’s work on the origins and spiritual meaning of Stonehenge on William Blake was considerable. Stukeley’s theories and investigations regarding the site have often been dismissed by later archeologists and historians – notably, his conjecture that Stonehenge originated with the Druids and Druidic culture, or antecedents of them. Yet his classic book recounting his discoveries, Stonehenge: A Temple Restor’d To The British Druids (1740), which made such a profound impression on Blake, often feels highly contemporary – both prescient in many of its conjectures, and also immensely thought-provoking in a way that modern, Urizenic treatments of the site rarely are.
Stukeley cites Dr Halley, for example, who studied the site in the early 17th century and conjectured that the construction might be “2 or 3000 years old” – a remarkable assessment for the time (modern archaeologists believe it was constructed from 3000 BC to 2000 BC). Stukeley was also centuries ahead of his time in his attention to the geometry and measurements of the structure, notably his observations of its use of the “royal cubit” (or “Druid cubit”), which are again a subject of huge interest today – linking the geometrical mind-set that constructed them to the mind-set and measuring system used by those constructing Solomon’s temple and the Egyptian pyramids. And of course igniting Blake’s interest in these measurements as the signature and cognitive hallmarks of the presence of Urizenic thinking, which Blake believed lay behind the entire creation of Stonehenge.
The Single Eye, the Dividers, and the Pyramid: Understanding the God of This World
Blake has always attracted those who are interested in the esoteric, the occult, and the deeper or more spiritual systems of thought. In his own time (1757-1827), Freemasonry was one of the most prominent and progressive of these systems – its members included Goethe, Mozart, Voltaire, and many of the key architects of the American and French revolutions (Benjamin Franklin, George Washington; Lafayette, Marat, Danton, and Robespierre), which have therefore often been seen as essentially Masonic projects.
Revolutions in Being: The Meaning of the Nativity in Blake’s Vision
It is strange how the worship of the Christ-child penetrated the hard old Roman-built world. It was like the perfume of a lily, of a mass of lilies, whose roots have broken rocky soil, whose shining whiteness enchants the air. An infant conquered the nations; the human race lifted up its eyes and sang a new song.
“Slowly the perfume, the song reacted in beauty in men’s minds, and the beauty took to itself form and colour and rhythm, became incarnate in churches and statues, gorgeous in tapestries and paintings, vocal in poetry and music.” (Image: detail from Fra Angelico’s Annunciation of Cortona,1433–1434).
Slowly, through those centuries of a crumbling empire and a resilient faith, the perfume, the song reacted in beauty in men’s minds, and the beauty took to itself form and colour and rhythm, became incarnate in churches and statues, gorgeous in tapestries and paintings, vocal in poetry and music. The human spirit passed from Caesar to Saint Francis, from the Colosseum to Chartres Cathedral, from pagan frescoes to Fra Angelico, from Greek choruses to Palestrina, from Virgil and the cynical later poets of a disillusioned autocracy to Dante and the epics and lyrics of new languages seeded and nourished by the old.
Becoming a Star: Philosophy, star-worship and the death of the Body
Shamanism and Ancient Egypt
In considering the relationships between Plato, shamanism and ancient Egypt, I am going to be questioning some deep-seated assumptions held both within Egyptology and in the history of ideas, which also extend to our current understanding of the western esoteric tradition. I believe these assumptions need to be questioned because the relationships of Plato, shamanism and ancient Egypt to each other are far more intimate and profound than one might at first suppose. By understanding the nature of these relationships, it may become possible to gain further insight not only into Platonism but also into that deep current of thought and spiritual practice known as the Hermetic tradition.
First of all, let me say that by ‘shamanism’ I mean a form of mysticism and mystical experience, typical of archaic spirituality. While of course shamanism may be approached as a sociological phenomenon of tribal societies, its specifically religious dimension is what concerns me here. Understood in this religious sense, not only is there a great deal in common between shamanism and ancient Egyptian religion, but a shamanic element could be said to be absolutely intrinsic to Egyptian religion.
Where any view of Money exists, Art cannot be carried on, but War only
Blake’s extraordinary piece of graffiti art, 200 years before Jean-Michel Basquiat or Banksy. The words themselves seem part of the serpentine struggle, as if logos itself was implicated in the fall into division